Filmmakers, social scientists and authors take a provocative look at the moral, political and ethical themes of the Dirty Harry films.

Filmmakers, social scientists and authors take a provocative look at the moral, political and ethical themes of the Dirty Harry films.

Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

Politics makes strange bedfellows, but never stranger than when a sexy, savvy, African-American conservative Republican reluctantly falls for his Democratic counterpart: a beautiful Indian-American Obama campaign volunteer. Sparks fly, tempers flare, heads turn, and romance blossoms for this mismatched pair of lovers in the frantic and intoxicating days leading up to Election Day. Can the politics of love conquer all?

An elderly widow women named Hazel lives in a farmhouse full of antiques. When a conman named Merv Pottinger arrives he persuades her into selling him a picture at a low price.

A documentary following the life of Olaudah Equiano, based on his autobiography "The Interesting Narration of the Life of Olaudah Equiano, or Gustavus Vassa the African".

A behind-the-scenes documentary filmed during production of Brandon Cronenberg's feature debut, Antiviral.

Early details are scant, except notice that The Thing That Hurts shoots in Brussels and (per quick translation) “evokes the meeting, following the death of a famous American psychotherapist based in Paris, of some of her patients, who confided in their relationship with the deceased.” Desplechin’s cinema is nothing if not the mingling of memory with grief––these four playing in that world is nearly as sterling a guarantee as the film struggling to receive U.S. distribution. As the result of a 2024 financing initiative, the project likely rolls cameras this year. by Film Stage

Early details are scant, except notice that The Thing That Hurts shoots in Brussels and (per quick translation) “evokes the meeting, following the death of a famous American psychotherapist based in Paris, of some of her patients, who confided in their relationship with the deceased.” Desplechin’s cinema is nothing if not the mingling of memory with grief––these four playing in that world is nearly as sterling a guarantee as the film struggling to receive U.S. distribution. As the result of a 2024 financing initiative, the project likely rolls cameras this year. by Film Stage